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HARLEY
STREET TO
MONTE
CARLO

HUGH
NOLAN
GEOFFREY BASS
TERRY YASON
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Terry yason:
“geronimo was the product of a generation
seeking to break down barriers
between all the arts, media and politics...
...there
wouldn't have been world music without Geronimo”
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Geoffrey Bass:
“the
airwaves were made for music...
...the uniting, binding force of beautiful vibrations encircling the Globe
and, for a time at least, engendering a profound feeling of Love and
Peace” |
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Brief History: Radio Geronimo was the
brainchild of Terry Yason… with Hugh Nolan and Geoffrey Bass… they
enlisted the financial help of Jimmy Miller (record producer:
Traffic, Rolling Stones etc.) and Tony Secunda (music biz
entrepreneur and manager of bands such as The Move)… Following test
transmissions (as Radio Rupert and Radio 428) in 1969 from the
Pyrenees, Radio Geronimo hired airtime in 1970 from Radio Monte
Carlo. Programming consisted of jazz, folk, blues, rock, classical
and world music, along with useful advice of the counter culture.
Geronimo was the antithesis of DJ culture – 'joined up radio' - the
music spoke a language of its own, the presenter occasionally spoke
the earthy language of the street, and the listener was treated as
an equal… Unlike the pirate radio stations of the 60’s this most
radical of radio stations station was totally legal. It was
favourably compared to BBC Radio 3 and is fondly remembered by those
fortunate enough to be there… Engineering was by John Lundsten.
Barry Everitt (promoter, Astoria, Borderline) was also part of the
Geronimo team. Richard Branson wanted to join in but was rejected.
As Geronimo Starship they recorded the 1971 Glastonbury Fayre and
released legendary triple album on Revelation Records. Geronimo
were also contracted by Pan American Airways to provide their inflight jazz entertainment.

Barry Everitt and Hugh Nolan in the
Harley Street Studio |
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